For forty years, original artwork by a pioneering female railroad illustrator lay scattered and unrecognized in a museum vault. Now, that work is back in the spotlight, and you can hear the full story of its discovery in an upcoming free online event.
A Vault Discovery
The Center for Railroad Photography & Art will host a Zoom presentation on Tuesday, August 11, 2026, at 7:00 pm Central Time (8 pm Eastern, 6 pm Mountain, 5 pm Pacific). The featured speaker is Emily Mizokami, assistant archivist at the California State Railroad Museum Library and Archives.
Mizokami stumbled upon the lost works of Elizabeth “Betty” Tone Summers while processing collections that had sat untouched for decades in the museum’s vault. The pieces were mixed in with other records, unrecognized for what they were. Her presentation will detail the discovery, the subsequent cataloging effort, and plans to make Summers’ work accessible to the public.
From Christmas Cards to a 45-Year Career
Summers, who died in 2021 at age 92, was a graphic artist whose career spanned seven decades. In the 1940s, she aspired to become an architect, but industry limitations for women at the time pushed her toward sketching and painting steam locomotives instead. She taught herself by spending hours in Boston & Albany rail yards, closely studying engines and learning from engineers and firemen.
Her big break came in 1949 when she met Charles E. Fisher, founder and president of the Railway & Locomotive Historical Society (R&LHS). She was selling locomotive-themed Christmas cards she had silk-screened herself in her attic. Impressed by her accuracy and precision, Fisher contracted her to create cover art for the R&LHS Bulletin (later Railroad History) beginning with issue No. 92 in April 1955.
She went on to serve as the publication’s art editor and lead artist for 45 years, taking on the role of sole art editor in 1970 and holding it until 1999. For much of that time, she was the only woman creating original cover art for the magazine. She also shared the art editor position with noted railroad engineer and artist Otto Kuhler from 1965 to 1970.
A Legacy of Steam
The subject matter of Summers’ art is a key part of its appeal. She captured the final era of steam-powered trains, and both railfans and experts praised her sketches for their remarkable accuracy. Her illustrations also graced the covers of books, magazines, and even a record album.
One of her paintings is held by the Smithsonian’s National Museum of American History — the cover illustration for John H. White Jr.’s 1981 book The John Bull: 150 Years a Locomotive. Many of her technical drawings and illustrations are now preserved in the R&LHS Graphic Materials collection at the California State Railroad Museum Library and Archives.
Tune In
The Center’s presentation will explore Summers’ life, her artistic style, her legacy, and the significance of rediscovering her work. Registration is open now.
“This program will be recorded and made available on the Center’s YouTube channel at @railphotoart.”
The talk promises to be a fascinating look at an artist who spent decades chronicling the dying days of steam, only to have her own work nearly lost to time.









